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It’s important that you test several microphones when recording a vocalist (if you have them available to you). Grab it here for free: Choosing a Microphone
#LIVE MIC REVERB SOFTWARE PRO#
Make sure to download the free Vocal Recording Playbook to use during your recording sessions! It’ll get you one step closer to that pro sound at home. You can learn more about DIY vocal booths in this video: If you are using an omnidirectional microphone, place treatment behind and to the sides of the microphone too. If you are using a cardioid microphone, this is the area that will affect the sound the most. If that’s too inconvenient, place treatment behind the vocalists head. If you shouted into it, how much sound would it absorb? The more the better.Ĭreate a temporary booth around the vocalist if possible. Try mattresses, duvets, heavy curtains and anything else that would absorb a lot of sound. Otherwise, you can use materials lying around your home to absorb some of the sound. If you have proper acoustic panels, use them to create a temporary vocal booth around the vocalist. You don’t need to spend a fortune on acoustic treatment to improve the acoustics of the room and dampen the reverb. You want to avoid the red areas when possible.
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This means you’re a) not dead in the middle, and b) as far away from the walls as possible. The best place to position your microphone considering these rules if just off the center of your room. Position the microphone as far away from walls/reflective surfaces as possible.Don’t position the microphone in the center of the room (due to a buildup of standing waves).There are two rules that you must take into account: Next you need to decide a position for the microphone. Avoid kitchens and windowed conservatories. So chose a room with a lot of soft furnishings, like a bedroom or living room. The perfect balance is a room that is absorptive enough to prevent any significant reflections and resonances, but not so dead that the voice sounds noticeably muffled. Too much absorption can lead to muffled highs and an unnatural sound. If the vocals have a noticeable reverb on them, heavy dynamic processing will also affect the reverb and sound unnatural. Due to the large dynamic range of vocals, heavy processing is often applied to balance out the volume (in the form of automation, compression and limiting).Pitch correction isn’t as effective when vocals have reverb on them.This noticeable reverb can also make it harder to blend in artificial spaces in the mix. Lively medium and small sized rooms impose an amateur element onto the vocal.You want the vocals to be in your face right at the front of the mix. Reverb pulls the vocals back in the mix, making them harder to hear.Reverb is not particularly desirable on vocals, neither are room resonances or reflections.When recording vocals, you want the room to be as dead as possible. Choose a room with lots of soft furnishings, and avoid rooms with lots of hard surfaces or windows. Make sure the song is ready for vocals, and that you have a rough mix ready.Īfter that, you can start to think about the recording location. Good preparation starts with pre-production. Phase #1: Preparation is Key Choosing the Best Room
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In this guide, I'm going to teach you how to record v When recording vocals, you simply can't fix it in the mix. Without a good recording, you can't produce good vocals. Do you know when the quality of your vocals is decided? In the recording phase. The vocals are the most important part of the mix. NOTE: Here’s a great video on Recording terminology: Skip any of these key ingredients and you are doomed to fail. Without a good performance, you’re wasting your time. Without good recording technique, you could make the perfect room sound awful. Without good preparation, the recording won’t sound good. There are several stages to a good vocal recording, but the process can be split into three vital sections: You don’t need to enter your email address or anything.īut if you just want to learn about vocal recording specifically, keep reading. Until now, everyone has been teaching production totally backward.
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We put together a brief training that covers a totally new approach to music production. I’m guessing you’re here because you want to make your mixes sound professional. Get industry-quality every time (steal this framework)
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